Become a Friend of the Swindon Museumand Art Gallery

For only £10 a year, you can become a Friend and come along to our talks, join us on trips out to places like Kelmscott House and Rodmarton Manor. To become a Friend simply fill in a form, click on the 'Membership Form' on the right hand side, or visit the gallery and pick up a form.

Wednesday, 21 September 2016

From Where I'm Standing

Friends committee members were fortunate enough to be invited to another wonderful private view evening. Thanks to the hard work and inspiration of curator Sophie Cummings this show brought together ten accomplished and renowned ceramicists who live and work in the locality. Each artist chose a work from the collection which had either influenced them in the past or was completely new to them. For those who know the collection well it was an opportunity to see some of our favourite artworks anew and whatever our response this startling exhibition reignites that love in an intimate and personal way. Although Friends never need an excuse to visit the gallery this show is really worth seeing along with 'Still Life' another new exhibition showing works from the collection in the south of the gallery.

Nicky Alberry and Sophie Cummings open the new ceramics show 'From Where I'm Standing'.

Mark Golder and Brian Thompson alongside Sarah Purvey's work and Basil Beattie painting

Graham Sutherland pictures behind 4 four Joanna Still pieces

Three ceramicists

Face to face with Claire Loder's video inspired 
by Richard Jefferies and her Grandfather poet

Jo Taylor took this oval shape from the 
Nicholas Horsfield painting
 'Evening downstream towards 'Vernon'

These exquisite Keith Varney vessels echoed 
the letter stencil painting of Tom Phillips

Peter Hayes worked from the Highworth Pot 
which is in the archaeology section

Fenella Elms response to the Peter Simpson piece 
she remembered from her time at Swindon College

Appreciating art No. 1

Appreciating art No. 2

Sasha Wardell trained in Stoke on Trent and she looked at the 
Julian Trevelyan painting 'The Potteries'

Exuberant Patricia Volk and the Howard Hodgkin painting she worked from

Painting 1 by Charles Howard and pieces by Mary-Jane Evans

Saturday, 27 August 2016

Q&A With Hadrian Ellory-van Dekker

Hadrian Ellory-van Dekker, Director and Chief Executive of the Trust will oversee all stages of the transition of the Swindon Museum and Art Gallery in it's present location, Apsley House in Bath Road, Old Town, to its new town centre location in the cultural quarter beside the Wyvern Theatre.
He was invited by the Friends committee to come and take part in a question and answer session, to share his vision, and give a time scale for the new museum and art gallery.
The evening was facilitated by Erik Burnett-Godfree, a former education officer at the museum, who gave some useful insights.
They talked to a packed house, and the evening worked really well.
The Evening Advertiser kindly sent a reporter, this is their article:
Roger Ogle was present to report for the Link magazine, Frances Bevan and Graham Carter were representing Swindon Heritage Magazine and Marie Lennon from BBC Wiltshire
 Above Erik Burnett-Godfree introducing himself above and below the packed house:
 A photo of Hadrian on the left and Erik on the right
 Great evening, thank you to Hadrian and Erik, and of course all those who came along and made it such a special event. With special thanks to those who donated raffle prizes, including the Marriott Hotel, Sophie Cummings, The Museum and Art Gallery who donated a goody bag, and the hairdressing voucher and massage voucher.
We were also fundraising to restore two paintings:
 Above 'Landscape' by George Downs, and below 'Night Sky' by Jack Smith
We need to raise almost £1000 to restore the paintings, our raffle raised £161, and entry to the Q&A with Hadrian raised an amount which we can reveal soon. The next fundraising event will be the Magnum wine tasting on 6 October. It's £15 per person. Tickets from the museum.

The Fitzwilliam Museum's Friends

On a recent visit to the Fitzwilliam Museum in Cambridge, I discovered not only were they celebrating the bicentenary of their opening, but also the Friends of the Fitzwilliam was founded in 1909 by Sir Sydney Cockerell, Director from 1908-1937 to support the Museum and is the oldest such society in Britain. Friends play a vital role in the life of the Fitzwilliam and their contributions are greatly valued. Cockerell's very first purchase from the Friends' first year of subscriptions (a total of £ 116 18s) was a panel of Islamic tiles of c.1600, costing 42 guineas. Cockerell was extremely proud of this acquisition: it reflected his own taste for the arts and crafts of the near East, and the all-pervasive influence of his friend William Morris, for whom he had once worked:
 Above the panel of Islamic tiles, and below some more examples of individual tiles
 Other things I noticed were 2 Kate Malone pieces in a cabinet, the one below is entitled 'Heart' and made in 2001
 and below 'Baby Bud Pumpkin Box' from 1998, both very striking pieces
 There's something lovely about this Dutch Chocolate pot and lid, seen below, made in 1909 with a hand painted Art Nouveau style design:
 The painting of the 2 sisters has been used to advertise the Friends around the museum, I'm hoping we can do something similar, it's a clear message
The 'Two Horsemen' by Leonardo da Vinci about 1481 is fabulous
and this 'Study in Provence' by Augustus John c 1926 is also stunning, it was bequeathed by Louis Clarke (Director from 1937-1946) a lifelong friend of the museum and also of Augustus John
 If you look up in the Fitzwilliam Museum, you see a lot of lovely glass:

Saturday, 30 July 2016

This Month, a Q&A with HEVD and in October a Wine Tasting

In addition to the events listed on our flyer, we are having a question and answer session with Hadrian Ellory-van Dekker, recently appointed Director and Chief Executive of Swindon Museum and  Art Gallery Trust on Thursday 25 August starting at 7.30pm. Tickets £5, raising funds for the restoration of 2 paintings. On sale to Friends only until a week before the event. Drinks and nibbles and a raffle.
Our second extra event is a wine tasting at Magnum in Wood Street on Thursday 6 October starting at 7pm.
Tickets available from the museum, and several members of the Friends' committee.

Wednesday, 27 July 2016

An Audience with Fenella Elms

We were fortunate enough for our July talk to have ceramicist Fenella Elms in conversation with our Curator, Sophie Cummings. Many people will be familiar with The Flow Pot, acquired last year, in addition to 'flows', Fenella also makes ceramic edges and ceramic sculptures. It was really good that Fenella brought in for us a selection of her work and displayed it in chronological order; it was so refreshing to see what was being discussed. Fenella is very enthusiastic about her work, and working with clay which she enjoyed in the sixth form, and then was sidetracked into a career in psychotherapy, working in London and then in Swindon where she discovered the wonderful Swindon College ceramics course, and then was seduced by the art of making fabulous structures.
I took lots of photographs, and have taken ages to post this because I've found it hard to weed any out, we had microphone problems, so you may see a microphone being held in the photos.
 Above and below, Fenella and Sophie began by chatting about Fenella's early life and influences
 It didn't take long for Fenella and Sophie to begin looking at the pieces, Fenella is talking about the ceramic sculpture for the 'From Where I'm Standing' exhibition which opens on September 21st and  celebrates the connections and contrasts between modern art and contemporary ceramics.
 The piece Fenella used from the collection to respond to was The Peter Simpson Pot seen below:
and here's a close up of her piece:
From there Fenella went back to talk about the first piece she made, it's lots of skeletal type pieces joined together
 seen below:
 and then onto an 'edge' piece mounted in a frame

 another thin piece:

 and the piece on a stand in a Perspex frame showed how her pieces could be presented

 From there Fenella showed how her pieces looked when held up

 Sophie asked a question about a piece and Fenella went onto talk about the edging to it.

 Below you can see a framed sculpture, the piece for the 'From Where I'm Standing' exhibition and the Peter Simpson Pot in between them

 Talking here about how ot get the bubbles out of Perspex when sculptures are encased.
 And here's the fabulous Flow Pot, at the moment in one of the ceramic cases in the main gallery:
 I would like to thank Fenella Elms for coming along and sharing so much interesting information with us last Thursday, and to Sophie Cummings for such a lovely in conversation style. Looking forward to the 'From Where I'm Standing Exhibition' .

Sunday, 10 July 2016

Trip to Pallant House Gallery

I love Pallant House Gallery and when planning our trips programme for 2016, it was one of the places I was keen to visit with the Friends. The fact there was going to be a Christopher Wood exhibition from 2 July-2 October gave us the perfect reason to visit, you will remember we have 'Still Life with Boats, St.Ives' by him in our Collection:
 The journey to Chichester was easily accomplished, and our walk through the Bishop's Palace Gardens to the Pallant House was wonderful with everything flowering in glorious splendour. We were welcomed by gallery staff and Mark Golder who gave us a background talk on the Pallant, and then had lunch in the courtyard of the cafe before our talk on the Christopher Wood exhibition at 2pm. Laura Ford is exhibiting two versions of  'Espaliered Woman' in the courtyard
 And here we are below in the first room of the Christopher Wood exhibition, with Michaela Cranmer explaining the various influences on Christopher Wood and examples of his various painting styles under these influences. Photography of paintings isn't allowed, but you can see on the right hand side rear wall, an example of Van Gogh's influence in a painting of blue irises.
 You can just about see the self portrait on the back wall here, he painted this in 1927, the Harlequin pattern makes a direct reference to the theatre and apparently shows Wood promoting himself as an artist.
 Here we are again, this time beside the large painting of a woman depicted very plainly.
 In the final room, we see some of the 40 paintings he did before his untimely death at the age of 29 in 1930, at Salisbury station.
 This talk was followed by a talk by collector and donor Mark Golder's exhibition of Contemporary Abstract Prints: The Golder - Thompson Gift in Room 17. Mark talked about his favourite prints in the room, followed by Brian Thompson talking about his, and their reasons for liking them so much. This was a real treat, and insight into 'What's good about this'.
As always there was lots more to see, so before leaving, I made sure I took a photo of the Lothar Gotz: Composition for a Staircase. Reading what he says about working on the staircase mural he says 'With site specific commissions, there is always a brief, which I try to ignore if possible..'
 There's also The Bishop Otter Art Collection: A Celebration exhibition in other rooms.
And the permanent collection which includes furniture as well as paintings:

 Below is a Shell Vase, made in 1958 by James Tower beautifully displayed on a piece of furniture.
 I didn't manage to see the Friedrich Nagler exhibition in the De'Longhi Print Room.
The bookshop was fabulous as always.
 And here's one last view of the Queen Anne part of Pallant House Gallery, shortage of space there was solved 10 years ago by building an extension, also in brick. A wonderful day out.